Sorry for the lack of posts lately. This is my travel week at work. At least once a month I have to travel to some part of the country and remind people why they do business with me. A little less Godfather and a little more Ned Ryerson. (BING!) This week lands me at a trade show in a city known for a rowdy pool hall and an Applebees. Tonight I will commit to a huge post as long as I can escape from clients at a reasonable time without guzzling four 64 ounce beers and my weight in jalapeno poppers.
So, before I slap on the suit and wander around a medical device show for the next six hours, I would like to share some music. It’s seriously spooky music. The kind that is played in the elevator to Hell.
I was watching Insidious last night and couldn’t help but wonder where director James Wan’s inspiration for that blood-curdling violin soundtrack came from? I am taking a wild swing here but I would bet a dozen apples and a moon pie it was inspired by the composer, Krzysztof Eugeniusz Penderecki. If you are unfamiliar, I don’t blame you. I usually do not commit names with eleven constants which are together to memory either. But you are familiar with his composition if you watched films like The Exorcist or The Shining.
The word that I can best describe a lot of his work is shrill. It gets under your skin in a way that could probably lead a person to madness. It builds a tension so thick you honestly can not listen to this in the dark without the feeling a cold dead hand will probably rest on your shoulder.
Listen to the second part of the work, “Cello”, that I have downloaded for your listening pleasure. It’s a mess of insanity but if you are the impatient type and need to get a quick grasp of what I am talking about, skip to 1:20 and listen for thirty seconds. At 1:31 you will get goosebumps. I have never heard sounds like that from instruments. It’s indescribable but it is pure, pure, pure horror.